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- #Free kontakt orchestra brass free#
We already have an EQ set up here, along with some delay and reverb, but there’s also some extra modulation accessible here. Scrolling down to the bottom of the instrument, we click on the FX & Motor button to reveal some extra effect options. We switch off the oscillate mixer setting, so that the cross-fader wont reset when we play new keys. Clicking to the left gives us more top-end presence, while clicking and dragging to the right gives us a deeper tone, more suitable for our needs. Clicking and dragging the cross-fader in the middle of the instrument changes the tone of the instrument. The release is quite large on this sound, so we take the release of both envelopes down slightly. We create a very simple MIDI sequence, playing back an A2 note for two bars and then switching to a B2 for two bars. To do this, we load a second instance of Tundra, head to the Stephenson Steam Band instrument and select ‘A Melody is Possible Fat MW is Phase Align’ from the Jarv Pads presets. We could introduce the second sound after 8 or 16 bars of the initial breakdown sequence to add some progression and increased intensity. Listening to our breakdown sequence, it might benefit from a deeper, lower sound playing underneath the strings. It’s worth noting that some of these controls are mapped to your MIDI controllers, so vibrato is mapped to CC#21. We also have access to our expression controllers here. We also bring up the level of A (ambient mics) to add some stereo width to the sound. We can see that this preset currently only has the T (tree) mic loaded, so we select C (close mics) and bring up the fader to add some definition to the sound. Or even take faders down completely in order to omit particular channels. Some of these are accessible from the Overview page, but we are now also presented with a mixer for the microphones, where we can tweak the balance of the four mics Hitting on the spanner/wrench icon (just above the Albion logo on the left-hand side) reveals the Expert view and presents us with some extra controls.
#Free kontakt orchestra brass full#
We keep the Dynamics on full for a more upfront sound, then take down the Release slightly and push up the Reverb setting, adding to the lush sound of the strings. This gives a nice warm and clean pad sound.Ībove the Articulation Switcher we also have five main controllers, where we can adjust Dynamics, Release, Tightness, Reverb and Expression. At the bottom of the instrument is the Articulation Switcher, where we can switch between different key articulations. If you decide to program your pattern in, alter some of the note timings slightly to achieve a more human feel.Ī 100-piece orchestra was sampled to tape for this release, and you can really hear the rich and warm, natural sound of the playing. It’ll sound better not to quantise the recording (unless your timing is way off). We play in some chords in the key of A minor. This sequence has a very uplifting and musical breakdown section, which transitions into a much heavier and darker drop section, contrasting nicely. We’ve set up a Berlin-style techno loop as a base for this walkthrough, to give some perspective on how effective orchestral sounds can be when used in electronic music. We load Kontakt and then load the ‘Woods High’ instrument located in the Albion V Orchestra section.
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You’ll need either Kontakt 5.5 or the free Kontakt Player in order to load the Tundra instrument. Here’s the MIDI we’ve used for the high string part:Īnd here’s the MIDI we’ve used for the lower brass sound:
#Free kontakt orchestra brass how to#
In this instalment of Synth Secrets we’ll be creating an emotive string breakdown, showing how to combine string samples and synth sounds using a couple of instances of Spitfire Audio’s Albion V Tundra.
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Synth Secrets is a series of programming tutorials in which we show how to make a range of classic and new synth sounds using plugins such as Massive, Sylenth and Diva.